Sunday 9 December 2012





Grace Leaney has been working with Nikki Thompsett to create designs for the School Creative Centre in Rye. The focus has been their Christmas Bazaar, an annual event where local artists/ designers and makers sell their work. Grace's design was used to create an impact in the entrance to the building as well as for publicity.



Grace has also produced a range of T-shirts and sweatshirts which she sells online from the Harbour Edge website. She used the Bazaar as an opportunity to promote and sell her work.


Students, both past and present, also sold their work at the Bazaar. There was a range of work including Rochelle Aleppo's felt biscuit brooches,Rowena O'Reilly's heart mugs, Hannah Cousin's linoprints as well as jewellry, Xmas cards and an Christmas Day apron! 





Sunday 2 December 2012




The Professional Practice lecture on Thursday 6th December at 11am, will be by Seiko Kato.

Seiko was born in Japan, and studied Illustration at the University of Brighton. Working with collage, there is a macabre feel to her work which takes inspiration from Victoriana, life, death and surrealism. 



Monday 26 November 2012

The Chinese Room

The Professional Practice lecture on Thursday 29th November at 11am, will be by independent gaming company The Chinese Room. The talk will be by Dan Pinchbeck, who teaches at the University of Portsmouth. The talk will focus around first-person games, music, sound, storytelling, image-making and environmental design. 


Wednesday 21 November 2012

Made in Brighton

Made 12 is Brighton's Design and Craft Fair which is being held from 22nd - 25th November in the Corn Exchange, part of the Dome complex by the Royal Pavilion.

120 makers will be showing their work.

For more information  http://www.brighton-made.co.uk

Sunday 18 November 2012

Pirates Workshop at Waterstones




During the summer Poppy Foyle, Ami Freed, Pippa Hunt and Becky Mann delivered a series of childrens' workshops in Waterstones. The theme was 'Pirates' with each child making and colouring the essential equipment and accessories so as to be eligible for 'Pirates Day' on Hastings Beach. This was a massive and successful operation to get as many pirates together at the same time; the world record was broken and these four FdA Illustration made their contribution to this achievement.

A huge effort went into developing the concept and preparing materials as well as just being well resourced and organized on the day. It gave all involved an insight into producing illustration for young children, marketing the events and delivering the workshop to children of various ages.

Oliver Brooks at Hastings Museum



Oliver Brook's animation about American Indian Life is on permanent display at Hastings Museum. Oliver, a year 2 FdA Illustration student, worked with film maker Nick Pilton to create a film celebrating the life of Grey Owl and the American Indian way of life. Grey Owl lived the life of an American Indian combining this with visits to England to spread the word about the ecologically sensitive lifestyle. After his death it was revealed that he was in fact born in Hastings. 

Oliver used paper collage and stop frame animation to create his animation. This simplicity and boldness works well within the context of the new display the museum have created. It forms one part of a collection of films.

Hendy's Homestore






Year 2 FdA Illustration have been working with Alastair Hendy of Hendy's Homestore in the Old Town to create a bespoke Christmas card for him. 

Alastair is a writer and photographer and the exquisite shop he has created has featured in the national press. Aiming to create something which is appropriate for this brief has been a real challenge but Guy Brooks and Oliver Brooks have both produced designs which should they be cost effective and match expectations will be made into Christmas cards. Poppy Foyle and Carl Potter were also highly commended for 'their inventiveness".

Friday 16 November 2012


The next Professional Practice lecture, on Thursday 22nd November at 11am, will be by Hannah Waldron.

Hannah Waldron's work often explores the textures, patterns, forms and structures of her surroundings, and has an interest in the development of landscape over time. Her work covers printmaking, textiles, weaving and illustration.

Hannah studied here at Brighton and is currently based between Stockholm and London.

Previous clients include the V&A, Pizza Express, Paul Smith,
GQ Italy, Unico Japan, Computer Artsprojects, Routledge
publishing, Fenchurch clothing amongothers.


Monday 12 November 2012

Christmas Bazaar at The School Creative Centre in Rye

You are invited to submit any artworks. This includes prints, greeting cards, artists books, printed textiles, printed ceramics and anything else which is well made, well conceived and innovative.

If you'd like to submit prints/2D artwork then these might be hung on the display walls or placed on the stall. Please back the work on to some new card just larger than the print. Ideally cover this with cellophane (by it from a florists - it's nice and shiny). The price will need to be shown on ALL artworks together with your name. Don't let the label distract from the artwork.

All artwork should be given to me by 28th November at the latest.


This is a good opportunity to get some work together to exhibit and possibly sell. It will be held on Saturday 8th December. This is a good opportunity to show your work and to have the opportunity to sell without commission.




Book Making Workshops at the Beacon.


The Beacon, a large late Victorian house in one acre of grounds situated on the West Hill of Hastings, is a hub of creative activity, owned, lived in and managed by Judy Dewsbery.
On the lower floor of the main house are two large rooms that are used for a variety of purposes including drawing, life drawing, painting classes, yoga, qi gong, creative workshops and much more.
These rooms are for hire for creative activities.


Saturday 17th & Sunday 18th November 2012

SoCo book making workshops with Helen Hunt

10am-1pm. SoCo book making workshops with Helen Hunt: On Saturday Japanese stab-stitch bound books and on Sunday no-stitch booklet instruction.
£18 per day (£15 SoCo members), includes refreshments. If booking for both days £28 (£23 SoCo members)
email: judy@beaconhastings.com
phone: 01424 431305

Telling Stories


Telling Stories: Hastings

Telling Stories: is a group exhibition of 14 artists from Hastings and Margate who have come together to tell stories through their work.
It is the second exhibition of the Telling Stories: project involving artists from similar places in search of shared dialogue.

Date: Saturday, 22 Sep 2012 - 13 Jan 2013

              Johns Place, Bohemia Road, Hastings.

The Church of London


The next Professional Practice lecture on Thursday 15th November will be by THE CHURCH OF LONDON.

The Church of London is a creative agency specialising in communication through design, publishing, digital and audio-visual creative content.

11am / Thursday 15th November/ Sallis Benny Theatre  


Sunday 4 November 2012

Jim McCathy



The Brighton BA Professional Practice lecture this week on Thursday 8th November, will be by Jim McCarthy.

Jim is a British artist working with comics and graphic novels. He became well known for working on Bad Company  in the comic 2000AD before going on to write a number of graphic novels based on musicians, as well as becoming a music journalist.

http://www.macasso.com/

http://en.wikipedia.org/wiki/Jim_McCarthy_(comics)

Friday 19 October 2012

David Foldvari

In his lecture given at Grand Parade, University of Brighton David Foldvari made some very good points:

1.   Working in new technology, in this particular case, apps,
      impacted on the way he made his work.

2.        Combining a BIG project with other commitments is a challenge; hence working until 5pm in the morning.

3.      Working on commissions can force you out of your comfort zone, out of what
         you're used to. 

4.   Change the way you work to fit the final
      format/context.

5. Enjoy drawing. Spend time doing it.
6.    The best work is the result of research

7.    Visit the library.

8       Keeping notebooks, rather than larger drawing books, presents an opportunity to have a    
         conversation with yourself.

9. You don't know you can do something until you're asked.

10. Collected all your work together 9possibly over a year or longer) can give you a 
      chance to identify themes.

11. Direct your own work.

Tuesday 16 October 2012

Annabel Tilley

SLUICE EXHIBITION & AUCTION 2012 - Hanmi Gallery, London, 22-24 October
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I am delighted to have one of my 'Old Master' drawings included in The Sluice 2012 Exhibition & Auction - Hanmi Gallery, Fitzrovia, London. 22 -24 October 2012. Please take this opportunity to visit and bid for some of the stunning artworks on offer and support a brilliant project: The Sluice Art Fair 2013.


Annabel is based in Hastings and London. She completed her Foundation Diploma in Hastings before going on to pursue a Fine Art degree at Brighton. 
I couldn't resist adding this to the blog as it's such great example of a collection of curiosities with drawing so at the heart of the piece.

To see more of Annabel's work go to www.annabeltilley.com

Sunday 14 October 2012

David Foldvari

David Foldvari on inspiration and illustration

Hi everyone.


One of my tutors - David Foldvari - has written a piece of advice for illustration students. I thought I would share it with you and get you thinking about what influences play part in your illustrations:


'If you study graphics or illustration, my most serious piece of advice to you would be to stop looking at my stuff for inspiration as soon as possible. if you want to be genuinely inspired or influenced by what i do, then look outside the tiny and insignificant bubble that is contemporary illustration. watch films, read books, look at other forms of art and design, learn about what's going on around you - anything that takes you outside illustration. despite of what your tutors may tell you, as an illustration student, referencing and studying other contemporary illustrators' work is not only going to damage your own work, but it will only help to homogenise and water down illustration as a whole. there is a big problem with illustration students at the moment - they are spending too much time referencing and copying other illustrators' work, and this will end their career before it has a chance to start. i'm only stating the obvious here, but as a student, you should do everything to make sure your work looks nothing like anybody else's out there, otherwise it will never be noticed, and you might as well get a job in mcdonalds.
i and most other working illustrators i know generally go and see a lot of degree shows, and anyone referencing other contemporary illustrators tends to be seen as ignorant and a bit second rate and crap - nobody wants to see the same old, but we all love seeing things we've never seen before, it's what moves this industry forward. as a new graduate, it's your job to move things forward, and by referencing other illustrators, you are doing the opposite.

so if you're using me as your contextual reference (or whatever), then do the following:
- stop looking at my work for inspiration, it is based on my own background and cultural references, and therefore no use to anyone but me
- look instead at your own cultural and personal background for inspiration, it's what i do
- look at 20th century graphic design and see how much of it you really understand. (i wish i had studied that stuff more at college)
- look at every piece of work you've done over the last year - how much of this work do you feel represents you as a truly unique individual, and how much of it is 100% different from what everyone else is doing? unless the answer is 'all of it', it's time to re-think everything. (i'm not saying i'm exempt from this rule, i have to remind myself to do this a lot).'
 
This is a copy of a post made a year ago by Nina Jorgensen who progressed to the University of Westminster after graduating from the FdA Illustration programme. Nina has just started her MA at the Royal College of Art.
Murat Pultar

'I stumbled across him/her (??) on It's Nice That a while ago this is the link I book marked (not sure if it will work but worth a look as he/she?? did a series of cult film / eastern religious iconography that made me chuckle.  Makes me want to do a stained glass church window version of an Ealing Comedy!'  Nina Somers.

http://www.itsnicethat.com/articles/murat-palta

Pultar plays with the juxtaposition of famous western films and miniature turkish painting... original and arresting.

Saturday 13 October 2012

Book Arts

For those second years interested in pursuing bookarts as your elective the following is a very useful if not indispensable collection of websites where you can find out more about artists' books. You should document anything you find of interest as well as bring it into your own practice where appropriate. Artists books, as you will find, are sometimes about form and sometimes about content AND the BEST are when the form and content are fully suited.
Firstly the University of the West of England has a comprehensive list of interesting book related websites and includes Ed Boxall's website!

Made in Hastings


If you haven't been already (and even if you have) you must visit Made in Hastings, a small but perfectly formed shop on the High Street in the Old Town. It is run by a group of creative people who are collectively working together to create a venue to sell their work. They also sell the work of others. Indeed they have just showcased the work of Jasmine Lapper Goodrum who graduated last year from the FdA Illustration course and that of Laura Burton who graduated from the FdA Graphic Communication course.

Selling work oils the process of making it in the first place. There are a range of ways this can be done and Made in Hastings sets an inspiring example.

Photofringe in Hastings

As part of the Brighton Photo Biennial 2012 there is a celebration of Photography in Hastings. This is taking place in a range of venues throughout the town.  

Daniela Exley's exhibition of simple objects offers 'mini-narratives, teasing glimpses that tempt our curiosities to delve deeper into the telling traces of their histories and their owners identities'. Intrigued?  Not far to go as this exhibition is in Frank's Front Room just next to college...you can almost see it from the window!

Hastings Museum is presenting a group show entitled, 'Telling Stories'. There are also a series of talks on and around photography being delivered  at Bullet Coffee House in Robertson Street. They re monthly with the next being on 5th November at 8pm.

There are a range of venues for the Photofringe. To find out where, when and what see their website:

http://www.photofringe.org/exhibitions/hastings

Hamish Makgill

Hamish Makgill's lecture at Grand Parade attended by years one and two was a great way to begin the year. For me he made the above points which seem so applicable to where everyone is at the beginning of a new academic year.

Sunday 7 October 2012

A Cabinet of Curiosities


Just a few links to sites which touch upon the theme of curiosities.


http://www.frieze.com/issue/review/collected-works/

http://www.hdrescher.com/

http://petes-curios.blogspot.co.uk/

http://www.adolfwoelfli.ch/index.php?c=e&level=17&sublevel=0

http://secretsofajewishbaker.blogspot.co.uk/2011/06/cabinet-of-curiosities.html

http://www.brettryder.co.uk/

http://www.heartagency.com/artist/JonnyHannah/gallery/1

The Wellcome Collection in London exhibits a small part of the collection of Henry Wellcome. Everything has a connection with the human body whether in sickness or in health including a man preserved in a bog, early prosthetic limbs, a collection of glass eyes and edwardian head gear designed to discourage a young child's ears from sticking out!

A visit is well worth while but take a look at their website:

http://www.wellcomecollection.org/

Towner Gallery Eastbourne


The Towner Gallery is a contemporary art museum in Eastbourne. In addition to temporary exhibitions it also houses a permanent collection including work by Eric Ravillious and Edward Bawden. 

It is currently showing: 

A Point of Departure

12 May – 11 November 2012 (free)

Inspired by our locality, this Towner Collection display explores the edge of the Sussex landscape. Our coastline has long been an inspiration for artists – from Edward Bawden, John Piper and Eric Ravilious to Turner Prize winner Wolfgang Tillmans. Also featuring the hidden works of forgotten Sussex artist Eric Slater.

Vicky Roberts in year 2 produced this image as part of her summer postcard series.

The Museum of Curiosities

The premise of this Radio 4 programme is the curation of a fictional Museum of Curiosities curated in part by the comedian Jimmy Carr. Invited guests are invited to make a contribution to the museum.  Guests include a fly specialist, someone with detailed knowledge of dogs and death as well as a impersonator of a car door closing.

http://www.bbc.co.uk/iplayer/episode/b01n0xpx/The_Museum_of_Curiosity_Series_5_Murray_Bondeson_McAlister/


Thursday 27 September 2012

Ed Boxall and Harriet Wilder



Ed Boxall and Harriet Wilder will be playing in Frank's Front Room just opposite the college on Saturday 6th October. It's worth going to if you get the chance.

Monday 24 September 2012

Lucy Bell Fine Art

Lucy Bell Fine Art is a commercial gallery specialising in photography....and some really brilliant photography. The gallery is located at 46 Norman Road in St.Leonards, not far from the University's Halls of Residence. At the moment there is an exhibition of still lives by Bruce Rae; delicate curios produced by a process called salt printing. A must.
To find out more http://www.lucy-bell.com/category/exhibitions/

Electric Palace

The Electric Palace cinema is an independent, intimate place, one that is passionate about film and about sharing them with others. It's located about half way up the High Street in the Old Town...on the right hand side. 

To find out more and to sign up for a regular newsletter please go to:http://www.electricpalacecinema.com/

The Jerwood Gallery

The Jerwood Gallery is located on the seafront amidst the fishing huts in the Old Town. It's newly opened, an interestingly designed building making the most of its beach location. It houses a permanent collection of 20th and 21st century paintings and hosts temporary exhibitions. An exhibition of the work of Gary Hume has just finished and an exhibition of the painter Gillian Ayres to begin on the 6th October.

For more information: http://www.jerwoodgallery.org



A taste of things to come. This area has a great tradition of bonfires, the first celebrating Hastings Day on 12th October. There is a second large bonfire parade in Hastings nearer 5th November with the beach opposite Pelham Crescent the site of the enormous bonfire and firework display. Finally Battle just seven miles north has its own bonfire celebration. The effigy at the Battle bonfire is made each year by the illustrator Mark Olroyd.

Mark Olroyd is an illustrator who lives and works in Battle just seven moles north of Hastings and he has been making the effigy for Battle Bonfire for over ten years. Mark is an illustrator working on incredibly meticulous paintings the rest of the year but he enjoys the chance to have his work take center stage in a pyrotechnic theatre. As many as 20,000 turn up for Battle Bonfire. Part of the fun is choosing the subject; this is always a very well kept secret and it takes about a week of very intense work at a secret location to make the effigy. A wooden framework is first made, followed by papier mache which is then painted.

Last year the republican politician Sarah Palin was the effigy. The choice led to Mark and the rest of the Bonfire Boys receiving death threats from right wing american groups. Interestingly the threats were accompanied by pictures of the effigy with the ? deleted from 'Too hot to handle?' thereby making more of an aggressive statement rather than a question for debate. The motto: always be careful with your punctuation;

Battle Bonfire takes place this year on Saturday 7th November. And you can see more of Mark's work on the Arena artist agency website.
The Stables Theatre not only presents plays but also has a small gallery. It's at the top of the High Street in the Old Town.  

This show, Off Grid, is certainly worth a visit. It's an exhibition of work by Henry Binns, Denise Franklin, Sarah Palmer and Lynda Franklin. It's from 1st October until 1st December, open Monday to Saturday 10.30am - 2pm and 6pm- 8pm.

Monday 10 September 2012

Dave McKean and Jackie Attwood showing at Rye Art Gallery

This is a fantastic exhibition of the illustrator/artist Dave McKean's work with Jackie Attwood's box art. 

Dave McKean shows a collection of drawings which has such varied mark making and texture alongside such imaginative inventiveness and feel for narrative.  He also shows large mixed media pieces which incorporate photographs and thick paint. Jackie Attwood, as many of you know, is a technician at college. She completed an FdA Contemporary Crafts Practice some years ago and has since continued her practice creating beautiful and intriguing box art which evoke stories without ever quite pinning them down; they are subtle and intriguing. 

Both artists are so impressive in not only the distinctness of their work but also the sheer size of their output.

The show is on until 7th October. Open each day except Tuesdays and also open Sunday afternoon.

For further information   http://www.ryeartgallery.co.uk

MA Exhibition 2012 University of Brighton


This is a must for anyone serious about their work to go to. 
 
The exhibition MA2012 showcases diverse new work by students graduating from the MA courses in Sequential Design/ Illustration, and Arts and Design by Independent Project at the University of Brighton. The exhibition includes animation, 3-D work, illustrated books for children and adults, experimental writing, interactive design, comics, and performance.

The highly acclaimed Sequential course attracts new and established illustrators, designers and makers from all over the world, keen to explore the principles of sequence within their chosen field.

The Arts and Design by Independent Project course encourages experimentation and innovation within a specific field on a central project. Students come from a wide range of disciplines, giving the course its characteristic diversity; the areas of study and possible outcomes are hugely varied.

This year’s show includes stories told through a community’s textiles, a range of electrical appliances that have been turned inside out, and a visual/performance artist exploring the role of the alter ego by working in close collaboration with himself.

The show opens on 15th September and continues until 21st September.

Becky Mann







Becky Mann produced a children’s activity book as well as a range of other applications for her character. The book itself was written by Becky and tells the story of a young child's imaginary friend and has a market is 5+ years. In part, it was inspired by the extensive work which Becky has done this last year in a primary school. 

She spent a great deal of time developing an engaging character and storyline. Once the book was completed she produced an additional app for the ipad. This presented a collection of recipes for young children to follow.  In addition, Becky produced themed cushions demonstrating an emphasis on creating an environment for childrens' reading.. In a sense this all showed a degree of ambition about how an idea can be developed across a range of applications. It was all beautifully presented with a real attention to detail.

Andrew Youthed



Andrew wanted to use the forest  to convey an enticing magic alongside a contrasting fear. To do this he chose images which worked clearly and directly treating the whole with his characteristic fluid line and attention to detail.

Flora Camacho





The work shown here is a small selection of Flora Camacho's project entitled 'Twenty-One Things I've Learned '. It is autobiographical and focuses on pertinent moments in the journey of self-discovery, moments which mould your character.  Flora quotes directly from a range of people who directly impacted on her sense of self and her outlook at particular moments of her life.  Each piece signposted a particular moment of her journey. She achieves a tension between the images and the words; they enrich each other.